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Don't Call It A Comeback by Josh Dahl

Each week, I use this column to write about the world of comics from my perspective as a creator who has been inside and out and back again. This week, I am going to step a little further back and try to figure out why I bother with the whole thing.

In the mid 90s I tried my luck in the small press boom, and it predictably went bust. So now I am trying it again, once again working with two close friends who were with me back in the old days.

So why am I walking over this same ground that clearly leads to doom? And, if this whole thing died once before, what makes me think it will work this time?

I am not certain, but I am starting to think it has something to do with Iron Fist, and the fact that in comics “dead” is never “dead”.

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Iron Fist is a character that Marvel created to cash in on the popularity of Kung-Fu movies in the early 70s. The stylistic elements that would define him were drawn from different comics genres and movies that had been floating around the cultural consciousness for several years. Genetic material from martial arts, fantasy, super-hero comics, and detective mysteries came together and gestated for ten issues of Marvel Premiere that bridged from 1974 into1975. In November of 1975, Iron Fist arrived in the Marvel Universe fully formed with a costume, powers, secret identity (Danny Rand), origin, and the requisite motivating pathos in Iron Fist
issue 1. Just a month and a half after I was born into the real universe.

Separated at birth? Not quite. But our paths would cross again.

While I spent the next few years being a little kid, Iron Fist was busy digging himself into the Marvel Universe. His firm footing in the narrative elements of the Kung-Fu genre kept him from going the way of other trend hoppers like Rocket Racer, but it also limited his appeal. He was real enough to have a place in that world, but never iconic or meaningful enough to really break into the consciousness of the general public. Everyone in the Marvel Universe seemed to know him, but no one in the real world did. The same could be said for blaxploitation super star Luke Cage. The Marvel Universe was built on the back of misunderstood loners and outsiders. Lots of them got so good at appealing to the misunderstood loner in all of us that they broke out and became parade floats and cartoons. Luke and Danny did not. The rich white industrialist from the Mystic City of K'un L'un and the tough black vigilante from Harlem bonded over being loners in a world of outcasts.

Together, their series Power Man and Iron Fist made it to the 150th issue. Meanwhile, I was soaking up all the super hero cartoons and movies I could find. I didn't really move into the orbit of comic books until I took an interest in G.I. Joe figures. Through the covers of the comics on the rack next to G.I. Joe, and the house ads in the comics themselves, I became aware of the pantheon of Marvel heroes. Though superheroes still seemed a bit silly to me, these ones seemed inherently cooler than the Super Friends I had grown up with. But, basically, I knew what I was getting into. Sure, the X-Men were cooler and edgier than Aquaman, but I could tell that in one look at the cover. I didn't need to dig deeper.

In the summer of 1986, the desperate boredom of camping in northern Michigan forced me to pick up and actually read my first issue of Uncanny X-Men. That same summer, in issue 150 of Power Man and Iron Fist, Iron Fist was beaten to death by a young boy whose super powers were killing him. I had just made my first real step into super-hero comic books, and Iron Fist just made a big step out of them. But in doing so he lead me to that mystic Tibetan bridge which only appears once every ten years. This particular bridge ran from the craggy slopes of casual readership to the gleaming towers and parapets of devoted fandom.

Iron Fist died to show me the way to that sacred temple of fandom. As cool as they were, the X-Men could not have done it on their own. It wasn't just the mystery of Iron Fist that drew me in, it was the way that mystery was presented. It was like an open secret. Everyone knew him. Spider Man knew him, so did Captain America. His buddy Luke Cage was even a member of the Fantastic Four at one time. All of the characters I knew from cartoons and coloring books knew all about him, but I knew nothing. He was one degree removed from me, and I had to know what that degree was.

The existence of this mysterious character sent me a message. And that message was that there was more to comics than I could see at a glance, and if I dug I would be rewarded. It was more than just the unknown. I didn't know anything about Daredevil, but I could basically guess. A more professional version of Spider Man. And, if I was curious beyond that, I could just pick up an issue and get some questions answered. I knew the basic deal with super heroes, and most of these guys seemed to be the standard formula modified by one or two degrees. No great enigma.

Iron Fist, and his tragic death, were different. If, at his core, he was the standard super hero with some surface modifications then that core was far deeper than I could perceive. One of my very first exposures to the character was that final issue. I remember getting to the end. That last panel, a tear in Luke Cage's eye and his CCA approved swear word “christmas.” And it was over. His friend was dead and the whole thing was over. It wasn't a teeth-gritting “you guys go, I'll hold them off!” kind of death. Danny wasn't even conscious to know he was dying. No one swore revenge, even Danny's best friend knew that the kid who killed him would have been sorry for what he had done.

Nothing about it made easy sense for the casual reader. I knew, because I was the casual reader and it did not make sense to me. There must be more to this Iron Fist. There was the promise of special, secret, knowledge and a depth of understanding for those intrepid enough to seek it.

Lots of people might stand on those rocky Tibetan cliffs and say “there must be some city across that bridge and behind those clouds.” The same way I figured there must be more to Iron Fist than met the eye. Most people, though, are content to hold their firm footing, or continue climbing to some other peak. And most people are not comic book readers. Iron Fist's mysteries and contradictions promised me that if I took those steps, and explored that mystery, I would be rewarded.

“Follow me,” he said, “wonders await.”

I am not sure how those others can resist that allure, but I couldn't. I dug into back issue bins and quarter boxes, and wolves or no wolves I was crossing that bridge. I didn't even notice when it shimmered and vanished. Maybe I was trapped, but who cares? I didn't want to leave.

It might have been curiosity that drew me in initially, but it was Iron Fist's promise that that curiosity would be rewarded that made me crossover and become comic book reader. And by the time I felt like I had a good handle on who he was I had learned about ROM, Nomad, The Punisher, Shadow Cat, The Beyonder, Daredevil and dozens of others whose secret identities I could still rattle off for you.

And he did all that postmortem.

Is Iron Fist my spirit-guide into the world of super hero comics? I don't know. But, I can still vividly recall a dream I had while still in middle school, or 'junior high' as it is called in some parts of the country. My neighbor and I were fighting in the rain outside my school. I threw him to the ground, and when he got up to charge me, he was Wolverine. I was not as frightened as I should have been and when I wound up to strike him, I found that my right hand had become “like unto a thing of iron.” I was Iron Fist and I was brawling with Wolverine.

That is all I can remember of that dream. But I think it is enough. That is what we comic book fans really want, isn't it? Not the actual details of the fight, but the promise of that drama. Two heroes, claws out and fists blazing, about to lock in rain soaked combat. That one image, that one panel, holds for us the promise that mysteries will unfold and answers will be found. Who will win and, more importantly, why are they fighting?

Anyone can look at these two figures and ask those surface level questions. As comic fans, though, we have gained that special secret knowledge of who these guys are and what they can do. That knowledge, and the pattern of seeking it out over a lifetime, leads us to believe that those questions are not only answerable, but worth answering.

So where has my long-lost twin and spirit guide lead me?

His journey has taken him through death and resurrection, through re-launches and false-starts, to find himself once again a firmly planted embodiment of the rich texture of the Marvel Universe.

Iron Fist is slated to return in The Immortal Iron Fist by Ed Brubaker, Matt Fraction, and David Aja. Issue one will hit the stands this fall, right about the time that my own comic book, Rapid City, will be making its debut.

Iron Fist was created by Roy Thomas and Gil Kane for Marvel Comics.

Thanks to wikipedia for “fact checking”


 

Visit Josh Dahl at his website www.monolithllc.com