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The Weigh In #60
Part Two of Two
To wrap up my weekly coverage of Superman Returns news, here
is:
My review of:
Superman Returns
Brandon
Routh
Kate Bosworth
Kevin Spacey
Parker Posey
James Marsden
Frank Langella
Directed by: Bryan Singer
From opening credits to the final scene of Superman flying
into the night, Superman Returns is nothing short of
brilliant filmmaking. Director Bryan Singer uses Richard
Donner’s original film, an iconic superhero film in most
fans eyes, paying appropriate homage to its importance in
the history of the character and to his fans while at the
same time giving the Man of Steel a depth and humanity we’ve
never seen on film. Singer takes more than a few cues from
the original, from entire scenes to Lex Luthor’s crappy head
wear, only really straying to allow Superman to connect with
fans on a deeper, more emotional level.
After being away from Earth for five years searching for his
home world, Superman returns to find a world ready to
embrace him without question. One problem, while the world
is happy to have him back, the one person he cares for more
than anything has moved past him. Lois Lane has grown older
without him and has moved on with her life, content to leave
him in the past. While Superman deals with the idea of
moving on, Lex Luthor is released from prison and is using
his knowledge of Superman’s home world to attempt another
takeover of the world.
Have no fear, Brandon Routh is a wonderful Superman and
Clark Kent. He was an inspired choice to replace the person
most of us have grown up to see as our image of the hero and
his alter ego. He plays the awkward and bumbling Clark Kent
almost as well as his predecessor and even carries the “S’
with dignity. At times in this film I caught myself smiling,
because I had just seen something that I was certain only
one man could pull off in this role. Kevin Spacey played a
more subdued Lex Luthor in this film and while he did go off
his nut occasionally, he was just as likely to show you a
glimpse of the pure evil of the character. Parker Posey as
Kitty Kowalski plays a perfect nincompoop to Lex’s brilliant
madness and (contrary to what seems to be popular opinion)
Kate Bosworth pulls off a spunky, yet more mature and
maternal, Lois Lane.
Enough about the characters and now to the movie. Bryan
Singer takes full advantage of the current technology to
pull of some amazing feats that Donner could only dream of
doing in the original. The special effects seem to pull
Superman’s feats of strength and dexterity straight out of
the comic books and the plot contained enough outlandish
comic book action to make my inner child giddy. The use of
CG to see Superman pull off the things he does in this film
are more than enough for the price of admission.
As important as the action, special effects, and crazy
antics of Lex Luthor, this film is a love story. A lingering
glance from Clark Kent using his X-Ray vision as Lois Lane
climbs in an elevator is just as powerful as watching the
Man of Steele save a crashing airliner. The awkward tension
between the Superman and Lois Lane’s fiancée is just as
important as Superman saving the world from the likes of Lex
Luthor. Richard Donner was able to create the quintessential
Superman by bringing the ultimate hero to the big screen;
Brian Singer was able to show the ultimate superhero on a
more human level, by creating an alien who is as alone in a
world of people who adore him as he is next to the woman who
adoration matters most.
The mix of old school action, humor, and swelling music from
the original, the deeper almost heartbreaking at times
emotion, and groundbreaking special effects, gave this fan
more than I could have possibly hoped for. This film
exceeded all of my expectations and I couldn’t recommend it
more highly.
As always, please send your hate mail or undying admiration
to DPlace76@yahoo.com. You can also check out my random
musings at
www.livejournal.com/bigdpimpin. Come by and learn
about the newest adventures of the Stumblebum crew on our
myspace account at:
www.myspace.com/stumblebumstudios.
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