| Comic Review | Andrew Brinkley |
X-Factor # 7
Writer: Peter David
Art: Ariel Olivetti
Plot:
Times have been rough for X-Factor. In the wake of Siryn's
merciless beating, the team has been trying to flush out
those responsible. Jamie Madrox recieves a letter via
courier requesting him to meet with Damian Tryp, head of
Singularity Investigations. His son, Damian Junior, was the
one responsible for Siryn's vicious assault and Madrox
suspects as much, but can't prove it.
Meanwhile, Siryn is recuperating and gets the bad news that
her father, Banshee, was killed (See X-Men: Deadly Genesis).
She immediately goes into denial mode, claiming her father
can't be dead, because X-Team members are thought dead all
the time and turn up okay.
Madrox's appointment with the Singularity heads leads to an
interesting deal, Damian Tryp wants to buy X-Factor
Investigations outright. But Madrox's suspicions lead to
accusations, and the deal goes down the tubes as quick as it
was offered.
Review:
Peter David has done an excellent job with this team lately.
I much prefer his writing of second- and third-tier
characters than his work on Spider-Man. The whole X-Factor
team has a "dysfunctional family" feel to it and lends
humanity to the characters.
The two major plot points to this story are Madrox's talk
with Tryp and Siryn coping with the loss of her father. The
meeting was handled well and advanced the current story arc,
but it was the Siryn angle that really shined. Her denial
about Banshee's death not only echoed a common sentiment
among comic book fans, but it brought a comfortable, flawed
humanity to the character. She figured, after all Banshee
and the X-Men had been through, how could he REALLY be dead?
Of course, this genuine emotion only works so long as Marvel
leaves Banshee dead.
Ariel Olivetti's art is great, a very realistic style with a
bit of Steve Dillon thrown in. None of the characters have
that "90's comic" look that is so distracting it takes you
out of the story. Even Guido, who is known for being badly
proportioned as Strong Guy, looks mostly believable.
Olivetti has this great grasp of fabric and clothing, and
his inking, while dark, gives the art a unique style. His
faces are usually less heavy, so as to concentrate on
_expression and individual facial features.
X-Factor is one of those books that exist on the fringes of
the main Marvel universe. And that's what helps it the most.
It is able to use all of the positive things about Marvel to
help it without being bogged down too much with the
negatives. For someone wanting to get into X-Force, this
isn't that great of an issue to start with. As always, get
caught up with trades. But for a monthly reader, this is a
good issue and a solid read. If you're pulling X-Factor at
your local comic shop, keep it up. Let's just hope Marvel
lets these guys run with the ball.
Be sure to visit Andrew at
Eclipse Comics & Cards!

