| Film Review | Dana Place |
Disturbia
Shia LeBeouf
Sarah Roemer
Carrie-Ann Moss
David Morse
Aaron Yoo
Directed by: D. J. Caruso
After watching his father die right in front of him, Kale
(played by Shia LeBeouf) starts to distance himself and act
out in school. All of his anger comes to a head when he
punches a teacher and is sentenced to 90 days house arrest.
To cure his boredom, he starts to people watch. Things start
looking up when the previously unoccupied house next door
becomes occupied by an attractive blonde. They become
friends and while people watching, they are convinced that
another neighbor is killing women and burying them in the
walls of his house. As time goes on, it becomes less and
less clear whether anything is actually happening, or if it
is all part of his imagination.
Disturbia really makes no attempt to hide the fact
that this is simply just a teenage version of the Alfred
Hitchcock classic, Rear Window. Although I am by no
means a fan of Hollywood’s insistence on remaking or
“reimagining” a classic film just because they can, I am not
one to just discount a film out of hand. The film starts out
innocently enough as a nice suburban drama and slowly morphs
into a game of cat and mouse that just gets moodier and
creepier as the final act unfolds. The use of mood music and
the ever popular “character point of view via a handled
camera” gimmick actually adds to the tension that builds to
a breaking point by the resolution of the film.
The acting is about as exciting as you would expect from a
film populated by early twenty somethings running around
being scared and acting like adults. The real standout would
be David Morse as “the villain”. Morse has always been a
standout character actor in previous films and generally
imposing person in all of his roles. His portrayal in
Disturbia capitalizes on all of the qualities that make
him a great actor. Without him, this film would be dancing
dangerously close to just another “pretty actors get chased
by a random villain” film.
As a thriller, the pacing is effective and the twists and
turns keep you waiting for the next piece of the puzzle. As
a remake it really has no leg to stand on. But not every
movie can be a classic. Go check it out. As a fun little
thriller it is worth a few dollars. Even if it happens to be
a front-runner for lamest title of the year.
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