| Film Review | Dana Place |
Music
and Lyrics
Hugh Grant
Drew Barrymore
Brad Garrett
Scott Porter
Directed by: Marc Lawrence
It seems that every weekend there is some rehashed and
completely forgettable romantic comedy being set to wide
release. It would be nice to see something refreshing and
different that makes us feel warm and maybe gives us
something to think about. This, sadly enough, isn’t it.
Music and Lyrics is just another romantic comedy. This
one isn’t completely like the other ones though, the main
characters never seem to have any kind of chemistry.
Music and Lyrics is about the less successful member
of a duo who managed to put together a one hit wonder in the
80s. He is hired to write a hit song for the most popular
female singer in the world. One problem, he isn’t really any
good at writing songs. Enter Sophie Fisher (Barrymore) as a
temporary plant waterer who has a penchant for words. In the
process of writing the song, they fall for each other,
hitting more than a few speed bumps on the road to love.
First and foremost, if the main characters don’t seem to
connect at any level, even the most exciting and
heartwarming plot can’t be salvaged. While Drew Barrymore
was her normal completely adorable self, Hugh Grant at times
seemed like an old man and while I am normally a fan, he
seemed completely out of place. At times it was a
distraction and made it hard to get back into the film.
Unfortunately, the rest of the film didn’t help to keep my
attention. The film is a soft PG-13 and, other than furtive
glances, a little gushing, and the old “I need to tell you
how I feel in a song” plot device, without cliché
after cliché to remind me it would
be easy to fall into the idea that both main characters were
just really good friends. This film is almost completely
devoid of the romance you would expect in a “romantic
comedy”.
The filmmakers seem to try and hide the fact that this film
really doesn’t seem to work on any level that would make it
romantic, or even a decent film to sit through, they seem to
rely pretty heavily on clichés
that only worked the first hundred times they were used, in
much better films. There really is no reason to see this
film when you can easily rent something much better from the
entire “romantic comedy” section of your local Blockbuster
Video.

