| Music Review | Dana Place |
"Yes Virginia"
The Dresden Dolls
Amanda Palmer (lead vocals/piano)
Brian Viglione (drums)
I
have heard the Dresden Dolls described as a “Brechtian Punk
Cabaret” band and I suppose if you can wrap your head around
that description then it would be a pretty good way of
looking at their first two albums. Yes Virginia though, is
different. It is more polished and easily their most
mainstream album. The lead singer and writer, Amanda Palmer,
seems to move away from the angry femininity and almost
spoken word remorsefulness of The Dresden Dolls and
A is for
Accident, choosing instead a much more subdued, lyrical, and
I think much more intimate album. She seems more satisfied
mixing ballads with catchy tunes about back alley abortions
in “Mandy Goes to Med School”, unexpected motherhood in “Sex
Changes”, and the strangely endearing morning masturbation
song “First Orgasm”. While the change is nice and definitely
distinguishes this album from the last two; it is her
solemn, heart breaking, ballads that are the real treat in
Yes Virginia. For the first time, we get to hear Amanda
Palmer’s range and her ability to just wrap you up in some
very aching beautiful music. In songs like “Delilah”, “Me
and the Minibar”, and “Sing”, not only do we see her talent
as a songwriter, she stretches her voice and fills the room
with a haunting sadness that feels too real to disappear and
reappear in four minute segments. This is the kind of album
that is best listened to with a bottle of expensive sipping
alcohol and a fuzzy memory of that one person you’d like to
forget all about. While obviously not the feel good, take
your girl to the beach, bobbing your head while driving down
the road, Summer music, this is definitely one to pick up
and listen to when the mood strikes you.

