| Music Review | Paul Milligan |
The White Stripes "Get Behind Me Satan"
I’m not going to claim that I knew about The White Stripes
before anyone else. But I was into them way before Seven
Nation Army got played to ever-lovin’ death on the radio (to
the point where I still have a hard time listening to that
song). So I suppose I’d consider myself a true fan. The
first album I listened to was “White Blood Cells” and after
a couple rounds in the CD player I knew it was love. I
immediately ran out and picked up their self-titled first
album and the follow-up, “De Stijl” and for a while those
three albums were all I would listen to. Then “Elephant” hit
and the Stripes exploded into the mainstream. So I guess we
were all waiting with bated breath to see what their latest
album, “Get Behind Me Satan”, would be like.
I’ve
read elsewhere that this is the kind of album that will
“make or break a ‘true’ White Stripes fan.” I think that’s
probably a pretty damn accurate description. This album is
so different from what came before it (and yet unmistakably
a White Stripes album) that it might take most people by
surprise.
I’ll be honest that my first impression of the album (based
on the first single release ‘Blue Orchid’) was not a very
positive one. I guess that’s because it was less like the
tinny, country/rawk ballad I really wanted to hear and more
like a blast of mid-70’s rock that I was not expecting. So I
had my fingers crossed. Then I
heard the first half of the
album on the Internet. I was shocked by how . . . different
it was from the rest of the Stripes stuff, or at least from
what I was expecting to hear. That was almost it for this
album as far as I was concerned. I had decided that it
sucked. And I washed my hands of it.
Then I got curious. How many times have you listened to an
album for the first time and weren’t really sure whether you
liked it or not, only to discover that on the second or
third try you really, really loved it? I figured the Stripes
deserved another shot. Well it’s a damn good thing I gave it
to them because this just might be one of their best albums
yet.
I still prefer rocking out to “De Stijl”, but just the fact
that the White Stripes took such a bold chance to do
something different makes this album worth checking out.
There’s a lot of experimentation going on with Get Behind Me
Satan. One of the biggest differences from their previous
outings is the noticeable lack of loud and heavy guitar (not
that there aren’t some great guitar moments). Instead we
have a lot of heavy piano, which in most of the songs is
played loud, hard and energetically enough that it evokes
those same rock n’ roll feelings. They’re testing their
limits; they’re not letting themselves be defined by their
previous triumphs. And more than ever there’s that feeling
that you’re listening to something raw and almost
unfinished, something that the Stripes have been playing
with over all of their albums.
You’ll find yourself jumping from pure country to rock to
almost pop-like songs. There are some great and distinctive
tracks on this album that you won’t be able to help but play
over and over again. One of my personal favorites is
‘Doorbell’, which makes me feel exactly the same way I did
when I first heard ‘Hotel Yorba’ (from “White Blood Cells”).
It’s infectious and makes you want to tap your foot, then
knock your chair over and start dancing around the room.
Another great track is ‘Take, Take, Take’ which is just a
great story with a hell of an atmosphere that brings you
into the bar where it takes place. And then there’s
‘Instinct Blues’ which sounds more like a live track from an
age-old concert featuring a forgotten blues star who you may
or may not have ever heard of. Of course ‘Red Rain’ just may
have the best opening of any song on the album.
The album’s not perfect. As much as I like that Jack and Meg
are experimenting and trying new things, there are times
when I wish the album had a bit more focus. My biggest gripe
however has to be with ‘Passive Manipulation’. It’s the only
song on the album featuring Meg singing and it’s only
thirty-five seconds long! As soon as you get into the song
it ends. No, it’s not perfect, but it’s damn close.
In the end I guess I’ve really fallen for “Get Behind Me
Satan”. It has definitely made me realize that I am a “true”
White Stripes fan. Are you?
Four and 1/2 out of Five Stars

